He was born on October 25th, 1926 in Philadelphia, PA:
It’s the birthday of one of the great voices of jazz music, J.J. Johnson. Of the slide instrument, J.J. — often referred to as the father of modern jazz trombone — once quipped, “It’s a horrible, beastly to play, especially to play jazz on.” Well? You could never really tell that when J.J. played. His handling of the trombone always projected a relaxed calm, and the musical results speak for themselves.
In 1960, for Jazz at the Philharmonic, here’s J.J. playing with Stan Getz and band: Victor Feldman piano, Sam Jones, bass, Louis Hayes, drums. The location is the Salle Pleyel in Paris, France. The musical vehicle is Sweet Georgia Brown, a tune whose changes J.J. was evidently fond of improvising on. He recorded it more than once as a harmonic basis for tunes he composed like Sweet Georgia Gillespie and Tea Pot. Speaking of composing, the fact that J.J. was an inventive composer showed in all of his musical expressions.
The Jazz Trombone Time Capsule has been hanging around here for awhile, surviving several versions of this website. When it was first published, it used “dot mov” files for the sound clips. While it was an OK solution for the time, it required QuickTime to be installed on the computer (nothing wrong with that, necessarily), and the audio codecs I used have since become outmoded. Yep, the sound clips could have sounded better. Well, now I’m pleased to announce that, in addition to improving the way the sound clips are delivered, I’ve updated them all to higher bit-rate mp3. Better late than never, huh?
Trombonist Paul Nowell seems to exist in the weird intersection of trombone playing, education, clowning, employing a large stuffed banana as a sidekick, and constantly repeating a joke about tuna fish, tuning, or something like that.
Possibly the most edifying of Nowell’s various forays on the internet is his recurring YouTube show called Bone Masters, in which he plays host to the trombone-famous. Through the magic of green screen, Bone Masters is often set against a pleasant tropical or nature scene, the pleasantness of which is possibly destroyed by all the tromboning (of course, that’s a matter of opinion). While the guests relate important playing techniques and insights, Paul asks the pertinent questions. Below is a sampling of some of the episodes. You can see them all at Paul’s YouTube channel.
With Bill Watrous:
With Bob McChesney:
With Alan Kaplan: