Over at Jazz Wax Marc Myers has a nice write-up on the J.J. Johnson recording, Broadway Express from 1965. As Myers notes, the sessions took place in December of 65′ and involved differing personnel. Broadway Express was sort of a non-jazz date with jazz musicians, but the arrangements, by guitarist Mundell Lowe, are fantastic. Also, don’t miss Chuck Israels comments in this post (you’ll need to scroll a bit) about another of Johnson’s forays into show tune material from a few years earlier, titled J.J.’s Broadway. It featured five trombones (J.J., Urbie Green, Lou McGarrity, Dick Hixon, and Paul Faulise), plus rhythm section.
It’s J.J. Johnson’s Birthday! This is from J.J. Inc, one of my very favorite recordings from this fantastic musician, who left us in 2001. J.J. Inc was recorded in August 1960 for Columbia Records, NYC, and released on April 10, 1961. The other personnel include Clifford Jordon, Tenor Sax, Arthur Harper, Bass, Albert Heath, Drums, Cedar Walton piano, and a young and fiery Freddie Hubbard on trumpet.
Almost any English teacher can be counted on to make some sort of a handout on when to use a comma. It’s sort of that same way with brass players and exercise books, going back — at least — to Arbans famous method.
Both comma handouts and brass exercise books have this in common: despite some points of controversy, you end up with lots of similar material and advice. And yet, despite all that, there’s still the occasional insight and innovation.
In 1936, Jack Teagarden, the jazz trombonist from Vernon, Texas, known for his ability to play a whole lot of trombone in the first 4 positions, came out with his High Tone Studies for Trombone, a short treatise of 51 exercises designed to help get the player up to a high D. The book is currently available on Apple’s iBooks, and also at Cherry Classics Music. As CCM’s blurb says, “it is obvious that Teagarden had put a lot of thought into his technique.” A bit of classic good advice from the book:
Do not force or strain at any time. Rest frequently.