UPDATE: 1/24/16: The podcast I mention below is no longer hosted by AM 1690, but you’ll find Mr. Vernick’s Jazz Insights at iTunes U.
A while back, I had a little write-up about Gordon Vernick and his Jazz Insights radio show that’s also a podcast. Jazz and trombone aficionados should know that in August, Vernick authored episodes featuring five jazz trombone players of the 20s, including Kid Ory, Miff Mole, Jimmy Harrison, Charlie Green and Jack Teagarden. Another good reason to check the show out.
It’s October, and presumably time to start raking leaves. Despite the date on the calendar, though, it’s still getting up to 80º degrees up here in Minnesota! Whoo-hoo!
On a series of shows about J.J. Johnson, an initial mention of the slide trombone’s recalcitrant nature is inevitable. Vernick says:
The Trombone is a very difficult instrument. It’s a very ancient instrument. It’s been around for hundreds, if not thousands of years…
It’ll come as no surprise that Dr. Vernick uses recordings as one of the vehicles to recount a jazz artist’s career and development. Continuing with Johnson — the only trombonist featured so far — Vernick begins with J.J.’s early swing-style playing on Lester Leaps In for Norman Granz’s Jazz At the Philharmonic. Johnson’s emerging be-bop style is illustrated by I Mean You with Coleman Hawkins and How Deep Is the Ocean? with Charlie Parker, before we hear classic be-bop dates with J.J. as the leader. By the end of the 40s, we hear how J.J. cooled off a bit.
While recounting his career in the 50s, Vernick discusses Johnson’s involvement in the somewhat short-lived idea of Third Stream Music (A Mix of Jazz and Classical Music) by playing us some of the rare recording Birth of the Third Stream,while getting to J.J.’s musical connection to Miles Davis. Naturally, there’s also discussion of The Eminent J.J. Johnson Volumes One and Two. Along the way, Vernick includes some other important Johnson recordings, including Jay and Kai + 6 (below, courtesy YouTube) and Stan Getz and J.J. Johnson at the Opera House.
I won’t spoil it by recounting all of Vernick’s show on J.J. here. You really should go give it a listen yourself. Vernick’s presentational style is friendly and geared towards a jazz novice, but it’s still interesting if you happen to know more. In other words, Jazz Insights is aptly named. Plus, Dr. Vernick has recorded programs on Jackie McLean, Thad Jones, Scott LaFaro, Stan Getz, and other artists. Check it out.
Update: This recording seems to be gone from the iTunes store again. iTunes links below will take you to the main Al Grey feature page.
It’s good to see that the Al Grey/Wild Bill Davis album Keybone is at the iTunes music store. A short story: I bought the vinyl version of Keybone when I was on a band trip to New York City with The Pride of Southland Marching Band. Yes, that was some time ago. In those days, jazz records had a definite inventory limit at Record Bars across the country, which meant that getting to New York City was a golden opportunity to find some off-the-beaten-path jazz records. I’m not sure I remember how, but I found King Karol records easily — probably at the 42nd street location — and was happy to find a huge jazz section.
Here’s how I found out about Keybone on iTunes: I had transferred some of the vinyl tracks to digital myself. With the correct track info entered into iTunes, one day iTunes found the Keybone artwork. Voila! — apparently it had been added to iTunes.
Anyway, it’s a fun set of music, and was recorded in 1972 at Seed Studios in Vallauris, France. The rest of the personal includes Eddie Vinson on alto saxophone (Vinson sings on Alimony Blues and Person To Person), Floyd Smith on guitar and Chris Columbus on drums. Check it out; this is a good set of music.